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Feb 23 Folk Alliance
National Conference
Memphis, TN

Feb 24 Waucoma Club
Hood River, OR

Feb 25 Redhare Presents
at Artichoke Music
Portland, OR

March 3 The Mint
Los Angeles, CA

March 27 Rod Laver Arena*
Melbourne, Australia

March 29 Entertainment Centre*
Adelaide, Australia

April 1 West Coast Blues*
& Roots Festival
Freemantle, Australia

April 3 Entertainment Centre*
Sydney, Australia

April 5 Entertainment Centre*
Brisbane, Australia

April 7 Bluesfest*
Byron Bay, Australia

* Shows with John Fogerty

>>>  Complete Tour Information


Reviews


July 2009 Review

Bob Malone
Born Too Late
Ain’t What You Know
Delta Moon Records

The two CDs are by New Jersey singer, pianist and songwriter Bob Malone. “Born Too Late” was released in 2006 and consists of twelve tracks, all self-penned. His vocal is low, raw and gravelly, with good intonation, and he is a master of the A-Z of ivories, with a real sensitive touch. His lyrics are well structured and often of complex nature. This CD is a mix of jazz, blues, pop, rock, country and folk. “Nasty Little Town” is a funky Blues/jazz number and, in typical New Jersey tradition of songwriting as a social commentary, it’s a put down of Hollywood and its society. A good CD, if a little heavy on the jazz side.

“Ain’t What You Know” is Malone’s latest offering and features guest appearances by Lee Sklar (Jackson Browne, James Taylor), Marty Rifkin (Bruce Springsteen, Tom Petty) and Mike Baird (Journey, Bob Dylan, Joe Cocker). It is a very different CD to “Born Too Late,” leaning more to the commercial market, which is not a criticism, because the music and lyrical quality remain constant. It kicks off with an impressive rock/soul number, “Why Not Me.” The bouncy pop ballad “Small Girl” has a strong Dylanesque feel. The title track is boogie-woogie and shows what an eclectic and quality musician he is. The call and response between lap steel and piano, with rhythm supplied by brass and tight drumming, make this a class track. The cover of The Faces’ “Stay With Me” is a precision innovation into a blues-rocker, with a boogie woogie piano solo. Malone has raised this song to new musical heights – it’s a cracker!

- Carol Borrington